2021 repress !!! the latest rhythm section international release comes all the way from down under and rest assured it is another beauty! the record oozes jazz, lush orchestral experiments and downbeat, detroit flavour house spread across 4 tracks of sun soaked productions from melbourne newcomer prequel, who makes his debut on this hotly tipped peckham label. early support from gilles peterson, lefto, alex nut, ben ufo, mister saturday night & moxie
repress - al dobson jr. returns to rhythm section international with his debut full length lp. spread over 28 tracks and clocking in at just under one hour, this body of work provides a glimpse into the mind of one of the uks most talented, enigmatic producers. al dobsons debut mini album marked the inauguration of bradley zeros fledgling label back in 2014, proving to be a breath of fresh air to the london scene with its loose, undefinable sound and unique approach to production. as a newcomer, al dobson jr.s music didnt remain a secret for long, with major global tastemakers such as gilles peterson, theo parrish, dego, alex nut and osunlade being early adopters. as with other key releases on 22a and izwid, it didnt take long for rye lane volume 1 to go from obscure debut to cult classic, propelling the artist and the label onto the international platform. at once a continuation and evolution of the sound, rye lane volumes ii & iii offers a deeper exploration into the al dobson jr universe, moving with ease through tempos and textures but never losing that effortless magic that makes adj stand out from the crowd.
repress - rs intl looks to melbourne and strike gold again with their second outing from prequel. freedom jazz dance builds on the jazz- tinged debut that was lauded by such varied tastemakers as gilles peterson, osunlade, recloose, mister saturday night and ben ufo. the standout track is ‘saints’ - is a poetic take on blackness that simply can t be ignored. another solid ep for the rhythm section camp. don’t sleep, these won’t last long!
!! repress 2019 !! der stuttgarter produzent danilo plessow, der kopf hinter motor city drum ensemble, ist stark von jazz, soul, funk, hip hop und house beeinflusst. zu beginn seiner karriere veröffentlichte er zunächst auf pulver records, später gründete er gemeinsam mit joachim tobias das house/broken beat-project inverse cinematics und veröffentlichte sieben 12 inches und ein album. trendsetter wie gilles peterson, rainer trüby, michael rütten oder benji b zählen zu den vielen prominenten fans. danilos solo-projekt motor city drum ensemble ist dagegen so etwas wie die musikalische umsetzung seiner tiefen liebe zu house music, soul, detroit techno und chicago house. der exclusive motor city drum ensemble track für dei dj kicks heisst >l.o.v.e.< für fans von caribou, fourtet, kyle hall, theo parrish...
neues album des britisch-nigerianischen avant-pop-sänger/produzenten tony njoku, der abstrakte elektronik, afro-jazz und art-pop zu einem subversivem kunstgebilde fusioniert und sich in eine reihe mit seelenverwandten künstlern wie yves tumor, thom yorke und young fathers einreiht. njoku tourte bereits mit anna von hausswolf, rival consoles, goat girl, gaika, jacques, ider und kokoko! zu seinen fans gehören u.a. die bbc-radio-djs gilles peterson, tom ravenscroft und huw stephens.
2019 repress - echoes of this summer’s ‘shango’ still shimmer through systems as detroit’s waajeed continues to make good on his promise: to “put paint where it ain’t.” after years of soul, funk and hip-hop explorations as a founding member of the platinum pied pipers (among many other innovative escapades) and, most recently, a soulful remix of amp fiddler on kenny dixon’s mahogany music, waajeed is building on the fresh line of house grooves he commenced this summer. his first pedigree dancefloor tracks in almost 20 years, he taps directly into the source and builds with his own soulful bricks. it’s working, too, dj-wise he’s playing alongside moodyman, mr. scruff and carl craig this fall, while ‘shango’ has enjoyed heavyweight support by the black madonna, carl craig, jackmaster, gilles peterson and many notable selectors.
the original jazz dance classic is finally re-pressed once again on a beautiful 7inch and with the original label artwork. this cover of pharoah sanders original anthem was one of the biggest records when it was released back in 2002 and was played all across the globe by everyone from gilles peterson to united future organization. proper jap-jazz but recorded in sweden and produced by no other than mad mats himself!
die grammy-nominierte hot 8 brass band bringt auf ihrer take cover ep ihre legendären hip hop- und brass-grooves zu klassikern von joy division, michael jackson, george benson und the jacksons. diese ep enthält die aktuelle single give me the night und love will tear us apart die von rolling stone, songlines, john kennedy (radio x), craig charles (bbc radio 2 und 6 music), ed adoo (bbc 5live), gilles peterson (bbc 6music) und lauren garnier (worldwide fm) unterstützt wird und einen neuen track give me the night.
after releasing three powerful edits of fly free in november 2017, jon dixon is back with a new sampa ep. inspired by the strong culture and rhythmic grooves of sao paulo brazil, dixon delivers 4 tracks sure to be a tool for any dj. with the title track paulista avenue already in the rotation of derrick may, radio slave, and gilles peterson.
a stalwart of the uk underground & dance music scene, simbad’s music and dj skills have brought him to perform and record on all of the continents over the last decade. as a very sought after producer that still collaborates with the likes of fred p, deetron, roots manuva, lulu james, dayme arocena, mala (dmz), gilles peterson (six albums produced for gilles legendary brownswood label) to name a few, he’s been also remixing for countless other artists worldwide and has a vast array of releases on various imprints like apron, hyperdub, sofrito, bbe etc. “reconnect” remained a dubplate amongst a handful broken beat dj’s for years until simbad decided to release it on swedish brandy productions, a label that has been fairly constant in putting out timeless underground dance music since nearly two decades. remixes by the mighty boddhi sattva and concept e25 included.
the accidental jnr label has just passed it s second birthday mark... so at 2 years and 15 releases in it only seems appropriate for the next 12- release to come from the artist that kicked the label off and has made it his home for the past 2 years... bambooman, with a remix from label boss matthew herbert himself on the b-side. the track can really speak for itself as this one is something special for the dancefloor, the only difficulty is choosing which version to play... dj support: gilles peterson, andrew thompson (huntley s & palmers), laurent garnier, simeon mobile disco, eclair fifi, bake, luke solomon, eliphino, severino panzetta, red axes, andrew weatherall, dixon...
new zealander julien dyne is a multi-instrumentalist with a long and impressive history of collaborative, live and solo musicianship. best known for his solo work on bbe and having worked with the likes of theo parrish, steve spacek, andreya triana and lord echo - one of soundway’s most successful artists. dyne has also accumulated a number of accolades over the course of a 10-year career including but not exclusive to being hotly tipped by both moodymann and gilles peterson.
dyne’s new project for 2018 is an 11-track lp on miles cleret’s extolled soundway label. demonstrating a shift in gears and movement toward a more uptempo, afro inspired sound ‘teal’ melds instrumental flair with astute production and a persistent grain of impassioned, effortless soul. the album features fellow new zealanders lord echo and mara tk, long term band-mate ladi6, fat freddy’s drop trumpeter toby laing, plus australian vocalist tim guy and jazz luminaries jonathan crayford and john bell. this is a body of work for the listener and the dancer alike with a mood as fitting for headphones as it is for the floor, with the double vinyl album cut loud at 45 rpm.
copenhagens terry tester (brownswood / bbe) merges his love for midwest house and cosmic funk butter on four-tracker space million for creak inc., journeying through dream state deep house, gritty mpc workouts and low-end boogie territory for an undeniably original take on four-to-the-floor rhythms. within terry testers two-decade long career as a turntablist and beatmaker his eminent take on house, hiphop and soul has been commissioned by gilles petterson for his ‘bubblers’ compilation series on brownswood recordings, jahi featuring american neo-soul singer dwele, and marc mac (4hero, visioneers, nu era) on bbe remixing alongside dj jazzy jeff, as well as releasing two full-length solo albums horses and diamonds and short suite.
der begnadete afro-futurist auntie flo aus glasgow fusioniert elektronische club-musik mit weltmusik-rhythmen und wird gerne in einer reihe mit daphni, four tet und romare genannt. nach zwei alben auf dem glasgower label huntleys & palmers erscheint sein drittes werk nun auf gilles peterson’s brownswood. mit -radio highlife- gelingt ihm seine bislang ambitionierteste arbeit, an der befreundete musiker aus aller welt wie laurie pitt (golden teacher), der senegalesische multiinstrumentalist mame ndiack, uk-produzent/sänger andrew ashong und der kubanische percussionist yissy garcia teilnahmen.
kodaema presents its second ep black cloud, featuring five tracks to be released in spring, after the success of the debut ep end of 2016, highly acclaimed by gilles peterson and bradley zero. a mature and elaborate work, in which the bands influences take shape. from wonder featuring kiala nzatovunga, to the impressing water no get enemy, covering fela kuti, along with black clouds enveloping harmonics, kodaema delivers a unique & personal sound. the record was mixed in los angeles by benjamin tierney (kamasi washington, shaq husayn) and mastering has been done by engineer kelly hibbert (j dilla, madlib, flying lotus)
“phase” sees a debut outing on vinyl from err rec label head gilles mate’s dialectric project.
impressed by the wealth of wonderfully varied analogue electronic music being released by this small, fiercely independent french label, it was surely a matter of time before py & errs’ likeminded paths crossed- and following a “cold wave” styled small run cassette release, gilles releases a full length on py for august.
“phase” is a timeless, minimal electronic record, heavy on hypnotic, emotional tonal arpeggios and sequences. dreamily crafted introspective pieces, and short “broadcastian” interludes, using a semi-modular system. comprising of various analogue oscillators, effects and sequencers (pittsburgh modular, moog, arturia, yamaha, korg to name a few…).
by your side is the second solo release of the year from will saul, it follows his spring 12inch bugs which gathered support from gilles peterson on his bbc 6 music show as well as leon vynehall, midland & deetron. never content to sit still in one style or genre bys sees will exploring his love for electro, acid and tripped out left of center house. with more eps on the horizon for the autumn we find an artist full of inspiration, elated to be back in the studio and enjoying his most fruitful production spell in recent history.
djeuhdjoah & lieutenant nicholson is a french composers and afro-soul singer s duo. t es qui ? is their first album, fruit of an intense collaboration during many years, on stage and in studio. they call their music as -afropean songs-, a collection of jazzy-pop melodies, afro-soul and funk arrangements. they ll be back in november with a tremendous afro-jazz and funky album titled aimez ces airs. until then, they present -el nino-, an afro-funk gem about climate change, and -fontaine-, an afro hit with a great combination of analog take and electronic dancefloor ingredients. after massive support from national radios and prestigious djs such as gilles peterson, it could be the funky summer hit 2018! limited press on a deluxe vinyl designed by the artist felix.
banoffee pies records drop their third beats release samba del sol with clifford brown & jeen bassa ft. ella mae sueref - the album is influenced by carnival and latin sounds with hip hop drums and soul roots - meeting in middle ground as an expression of the production duos upbringing, johns heritage in mauritius and cliffords childhood in south america. partnered with ellas spanish language fluency and soft badhu acclaimed voice as previously heard on the single stop rewind credited by the like of gilles peterson and mr. scruff. the tracks were recorded on garageband by clifford brown and jeen bassa with 2 karaoke microphones, mixed in bath and later buried on a hard drive for over 6 years never to be heard again. sliding into the forgotten darkness of lost tracks and rediscovered in 2017. the production, originally just an instrumental, was then found and reignited, revamped with a vocal insert from the wonderful ella mae sueref. the 10 track album demonstrates a flurry of drums, latin inspired sampling, and mesmerizing vocals from start to finish. for the music and the lovers. living room jams made in smoke. banoffee xx in loving memory of anna sueref.
next up on the ever-eclectic xvi records, a shadowy figure steps into the spotlight: enter the mysterious captain over, whose dark yet soulful bruk-infused tracks soundtrack the next stage of their voyage towards the sun. for his debut outing, captain over calls on the abstract vocal stylings of the legendary trim (roll deep, 1800 dinosaur) on opening track sick. showcasing why hes one of the most iconic and forward-thinking mcs to grace the mic, trims dulcet tones twist through a jungle of shuffled beats and subterranean sub-bass, an eerie child-like melody drifting overhead. clack clack and no one ever really flies inhabit a more dancefloor friendly space, their unique syncopation, fierce instrumentation and relentless energy open up the dancefloor for some real get loose moments. on the remix, they hand the controls over to xvi homestay books (following on from the success of his previous feel it in my bones and high praise edits vol 1 releases which won praise from the likes of the black madonna, moodymann, gilles peterson and seven davis jr) books expertly crafts a cosmic footwork jam, full of his trademark soulful chords and eerie midnight saxophone licks. as he prepares to launch his forthcoming ep no-one every really flies into the cosmos captain over is beginning to cement his place as one to watch in the uk underground a sequel ep featuring grime upstart nico lindsay is scheduled for release later in the year, with several more collaborative works in progress.
brilliant new duo from south london gilles peterson bbc radio 6 music. south london electronic duo vtr release their alluring debut ep soul to skin on brixtons dream diary records. the five track ep veers from the melodic to the abstract as sensual lyricism occupies a distinct space amidst spectral sound design, striking a balance between haunting depth and inviting warmth. soul to skin was co-produced by recent r&s records signee afriqua, whose slap ep and chronic cool 12inch out on dream diary brought considerable attention to the label. the final offering on the ep is a soul to skin remix by inxec (crosstown rebels, get physical, cocoon and leftroom and culprit) clash music were quick to premiere soul to skin describing vtrs sound as an entrancing mixture reminincent of those early james blake eps, or even the hushed intensity of portishead.
london based producer & dj books comes through on omena with an ep that follows on from his acclaimed feel it in my bones & high praise edits vol.1 on xvi records. two releases which garnered widespread following from the likes of gilles peterson, the black madonna, sassy j, moodymann, ashley beedle, lefto and last but not least omena s very own tooli. on sour grapes, books is showcasing his deft touch and effortless way with samples and instruments, presenting an instant cause for dancefloor hypnosis to complete the package laurence guy puts his spin on the title track.
vienna-based producer sam irl popped up on our radar a couple of years ago following stellar releases on jazz & milk, but honestly we should have been paying far closer attention as this guy has been making the best crunchy, mpc-driven jazz-infused house music dating right back to 2006. ep’s for s3a’s sampling as an art and collaborative projects with patrick pulsinger and dusty have won him fans including gilles peterson (leading to a release on brownswood), mr scruff and session victim amongst many others. his live sets have also seen him perform at the hallowed grounds of panorama bar and sonar festival. for his debut ep here on freerange sam has delivered four tracks which perfectly showcase his production skills and knowledge of what makes a dance floor tick, kicking off with title track rain technique. quirky keys and a playful groove help build a warm and charming vibe, light and bouncy yet deep and driving enough to get your dance on to. trust follows with loping, lopsided percussion forming the basis of the groove, sparse rhodes pads punctuating the beat and adding just the right musical element to the mix without cluttering the beats or compromising the sense of space. flipping over we have all thats left which sees sam utilising his trusted tr606 for some lovely snappy snares and sizzling hihats. chiming arpeggios join the repeating chord riff creating another simple yet uplifting and playful mood which cant fail to get under your skin. closing the ep we have a wonky, shuffling house track which once again shows sam proving less is more, sampling his key elements into the mpc and jamming out the arrangement in a live and improvised way which brings a fresh, somewhat naive appeal to the production.
INTO MY LIFE (YOU BROUGHT THE SUNSHINE) (LOUIE VEGA REMIXES) 2X12
2x12 Inch 15.05.18
vega records puts together a vinyl package with one of the hottest records in the catalog. now a classic in the uk into my life is getting a whole new treatment and will be released as a double pack vinyl. a brand new version unreleased, the original studio recording of the song before it was remixed in the house format is already being played by gilles peterson on worldwidefm.net then there are the main version, instrumental, and two original dubs, which are all remastered by vegas mastering engineer walter coelho.
its taken almost 3 years to get the man like medlar back on delusions following his 2015 release with dan shake but finally its come together. that release, along with his regular output for wolf, riverette and for discos only has helped cement medlars reputation as one of the leading uk underground house producers and led to official remixes and approved edits for legendary labels tk disco and west end no less! the medlar seal of quality has led to support from such influential heavyweight selectors as dj harvey, gilles peterson and dj koze. kicking things off we see medlar in straight up dance floor mode on title track nrg, coming through with a drum-heavy workout that utilises a gnarly bassline, echoing synth stabs and rasping hats to excellent effect. flip over for his own dub version which strips things back further placing all the emphasis on the bassline and going heavy on the space echo for a tripped out, dubby warehouse vibe tailor made for the freaky hours. closing the ep we have the aptly named tripped which drops the bpm’s for a low-slung mood-setter to warm up the floors with. a simple groove lays the foundation for a rolling bassline while chiming synths weave in and out of the spacious mix.
the colorful world of arp frique is the exotic and super funky debut album of niels nieuborg. after his surprising, very well received debut release on rush hour, arp frique continues collaborating with orlando julius, ed motta, americo brito, ronald snijders and more! tip! . pulsating nyc style live disco vibes, interwoven with both caribbean and cape verdean sounds, are themes throughout the record with danceability always guaranteed and a healthy finishing touch of weirdness present across most tracks. first single ‘nos magia’ was shortlisted for track of the year 2017 at gilles peterson’s worldwide awards and has been given airplay by bbc radio 6 music, bbc radio 1 and nts whilst club djs antal and hunee have all supported the track in their sets.
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